Hou Yifan, Women world chess championship and Yip Carissa (U.S.A., 12 years).

Jeanne d'Arc

Yip Clarissa

Hou Yifan

Women world chess championship

« being dubbled by god Pan and F. Arrabal »

and

Yip Carissa

(U.S.A., 12 years ) next world chess champion?

***

Carissa Yip vs Irina Krush    (the top-rated active female chess player in the U.S.)

US Chess Championships (Women) (April -25- 2016)  · 

Sicilian Defense: Kan. Knight Variation (B43)  ·  1-0

1. e4 c5 2. Nf3 e6 3. d4 cd4 4. Nd4 a6 5. Nc3 Qc7 6. Bd3 Nf6 7. O-O d6 8. f4 Nbd7 9. Kh1 Be7 10. Qe2 O-O 11. Bd2 Nc5 12. Rae1 Nd3 13. cd3 b5 14. Rc1 Qd7 15. g4 Bb7 16. g5 Ne8 17. f5 b4 18. Nd1 e5 19. Nf3 d5 20. Nf2 f6 21. gf6 Nf6 22. Ne5 Qb5 23. Neg4 de4 24. Nf6 Bf6 25. Ne4 Rfe8 26. Rce1 Rad8 27. Rf3 Rd3 28. Qd3 Qd3 29. Rd3 Re4 30. Kg1 Rg4 31. Rg3 Rd4 32. Bg5 Bg5 33. Rg5 Kf7 34. Kf2 Bd5 35. b3 a5 36. Ke3 Re4 37. Kd2 Rd4 38. Ke3 Re4 39. Kd2 Rd4 40. Kc1 Kf6 41. Reg1 Rh4 42. Rg7 Rh2 43. Kb1 a4 44. Rd7 Be4 45. Ka1 ab3 46. ab3 h5 47. Rf1 Rh1 48. Rd6 Kg7 49. f6 Kf7 50. Rd7 Kg6 51. Rg7 Kh6 52. Rh1 Bh1 53. Rg5 1-0

SHAKESPEARE! CER(B)ANTES! CCCC!

c s cervantes sha978-84-15973-76-8

extravag 3

Théâtre en français, Collège de ‘Pataphysique,  Paris;

roman en espagnol, Reino de Cordelia, Madrid;

théâtre en espagnol, Libros del Innombrable, Espagne;

etc.

***

***

COLLÈGE DE ‘PATAPHYSIQUE

L’Extravagante Réussite de Miguel de Cervantès & William Shakespeare

La nouvelle pièce d’Arrabal

écrite pour le 400e anniversaire

de la occultation de Cervantès et de Shakespeare,

le 23 avril 1616.

Toutefois, la pièce réserve des surprises,

non seulement parce que le même Shakespeare

serait né aussi un 23 avril, l’an 1564,

et que toutes ces coïncidences tournent les têtes les plus… norvégiennes,

mais parce qu’Arrabal au mieux de sa forme

lâche la bride à ses pulsions :

la violence érotique et la duplicité,

la gloire des imbéciles

et la fragilité poétique,

la mathématique

et dieu personnage panique, qui « confond tout ».
Pour l’édition originale de la pièce,

on a voulu une réalisation hors du commun.

On a fait fabriquer spécialement, à la forme,

par le Moulin du verger en Charente,

un papier pur chiffon

de lin et coton

pour cinq exemplaires de tête,

signés et ornés par l’auteur.

Les exemplaires on n’ose dire «courants»

sont tirés sur

un papier platine Curieux

discrètement métallisé.

Impression en rouge et noir,

respectivement pour les didascalies

et pour les dialogues.

Sept vignettes en couleurs collées à la main,

illustrant sept 23 avril.

Dessin de l’auteur en frontispice.

L’ouvrage est imprimé

par Julien renon en Charente.

Le tirage sera achevé le 23 avril 2016

pour les annniversaires de Cervantès,

de Shakespeare,

de l’inca Garcilaso,

d’Hadrien VII,

de Saint Georges,

du mot pataphysique imprimé

et de l’éditeur.

***

Wilson Coelho:

Arrabal e sua prodigiosa obra de teatro « O extravagante triunfo de Miguel De Cervantes e William Shakespeare

Há quatrocentos anos, 23 de abril de 1616, morreram o inglês William Shakespeare e o espanhol Miguel Cervantes.

Duas personalidades que deixaram o legado de personagens icônicos na literatura.

Hamlet e Dom Quixote podem ser considerados os dois primeiros modernos indivíduos, além de algumas aproximações entre Sancho Pança e Otelo, Rocinante e Falstaff, Dulcinéia e Julieta e outros. Filhos de duas potências rivais, encarnações do espírito barroco, os dois autores acabaram por influenciar toda a literatura que sucedeu-lhes e, ainda, podemos considerar o quanto a pintura, o cinema e a ópera se inspiraram em seus personagens. Neste sentido, Shakespeare e Cervantes são comemorados em conjunto como dois locutores de nossos autores modernos. Há aqueles que, como Carlos Fuentes e Anthony Burgess, acreditam que eles estão tão próximos que é possível que tenham de alguma forma se encontrado, inclusive, num artigo de Roger Chartier consta que alguns estudiosos supõem que uma trupe de Shakespeare teria acompanhado uma embaixada inglesa, realizado em Valladolid (1605) e que Cervantes teria oferecido um manuscrito do seu Dom Quixote. Enfim, na possibilidade de um contato com estes dois gênios, a imaginação está sempre pronta a se deixar levar, inclusive, é o que vem nos demonstrar o dramaturgo espanhol

Fernando Arrabal com sua prodigiosa obra de teatro

“O extravagante triunfo de Miguel de Cervantes e William Shakespeare”

« El circunspecto », novela.

Wilson Coelho

***

COLLÈGE DE ‘PATAPHYSIQUE

L’Extravagante Réussite de Miguel de Cervantès & William Shakespeare

La nouvelle pièce d’Arrabal

écrite pour le 400e anniversaire

de la occultation de Cervantès et de Shakespeare,

le 23 avril 1616.

Toutefois, la pièce réserve des surprises,

non seulement parce que le même Shakespeare

serait né aussi un 23 avril, l’an 1564,

et que toutes ces coïncidences tournent les têtes les plus… norvégiennes,

mais parce qu’Arrabal au mieux de sa forme

lâche la bride à ses pulsions :

la violence érotique et la duplicité,

la gloire des imbéciles

et la fragilité poétique,

la mathématique

et dieu personnage panique, qui « confond tout ».
Pour l’édition originale de la pièce,

on a voulu une réalisation hors du commun.

On a fait fabriquer spécialement, à la forme,

par le Moulin du verger en Charente,

un papier pur chiffon

de lin et coton

pour cinq exemplaires de tête,

signés et ornés par l’auteur.

Les exemplaires on n’ose dire «courants»

sont tirés sur

un papier platine Curieux

discrètement métallisé.

Impression en rouge et noir,

respectivement pour les didascalies

et pour les dialogues.

Sept vignettes en couleurs collées à la main,

illustrant sept 23 avril.

Dessin de l’auteur en frontispice.

L’ouvrage est imprimé

par Julien renon en Charente.

Le tirage sera achevé le 23 avril 2016

pour les annniversaires de Cervantès,

de Shakespeare,

de l’inca Garcilaso,

d’Hadrien VII,

de Saint Georges,

du mot pataphysique imprimé

et de l’éditeur.

For Ronit Elkabetz, Being Human Was the Only Option.

images

Toute la presse  française rend hommage à Ronit Elkabetz le jour de son occultation

de « Le Monde » au « Figaro »  de « Le Parisien » à  « Gala » (et même « l’Humanité »).

Benjamin Ivry poète américain  Commandeur de l ‘Ordre de la G. G.  du Collège ‘Pataphysique   dans « Forward’s », écrit:

For Ronit Elkabetz, Being Human Was the Only Option
April 20, 2016

The Israeli actress and director Ronit Elkabetz, who died on April 19 at age 51, was noted for her masterful portrayal of tragic figures with few or no exit options. Yet in life she retained powerful optimism about the restorative value of drama for bringing people closer together.

When she died prematurely of cancer, leaving behind a husband and four-year-old twins, she was planning a film project about the final year in the life of Maria Callas, whom she vaguely resembled. Callas, with her voice in tatters and abandoned by her paramour Aristotle Onassis, would have been an ideal role for Elkabetz, who in 2004 was praised by “Variety” for her “[Anna] Magnani-like power which suggests the makings of a legendary Medea or Phaedra.” With her brother Shlomi, she wrote and co-directed a much-praised trilogy of films about the marital miseries of Vivianne Amsallem, a Moroccan Jewish woman: “To Take a Wife (2004); “Seven Days,” (2008); and “Gett.” (2014)

Alternating between silent repression and outbursts of volcanic rage, Elkabetz incarnated a thwarted, oppressed life. At the start of her theatrical career, at France’s Avignon Festival she presented a one-woman show about the aged choreographer Martha Graham as a plaintive septuagenarian alcoholic. The willingness to follow a rock-strewn path to achieve artistic goals had led Elkabetz to Paris in 1997, hardly the best time for an Israeli transplant, with French anti-Semitism and xenophobia on the rise. Elkabetz landed an internship at the avant-garde Théâtre du Soleil, founded by the director Ariane Mnouchkine, of Russian-Jewish origin. Taking on domestic chores such as washing dishes and cleaning the theatre was part of the educational process, which Elkabetz claimed to relish.

Despite these travails, she certainly retained emotional ties to Paris. After the November 2015 Paris terrorist attacks, she appeared at the French Embassy in Tel Aviv to read a poem by Victor Hugo . With typical Elkabetzian verve, it was no dulcet comforting ode, but rather “Paris Blocaded,” about the 1870 siege of Paris during the Franco-Prussian War, a grim evocation of survival through vast sufferings. Contained within the sheer message of endurance is the hope of artistic renascence. Elkabetz was referring to a city, culture, and tradition as symbols of creative liberty which had evidently inspired her own work. Her own artistic message blended personal and historical tragedy, politics with individual human contacts in a Hugolian way.

Her sense of tradition was acute: “Seven Days” revealed passionate interactions of a Moroccan Jewish family with the violence of a tragedy by Federico Garcia Lorca. In 2011, she accepted the Prix Haïm Zafrani in Paris. It was named after the Moroccan Jewish historian Zafrani (1922-2004), who collected and preserved music and poetry of Morocco’s Jews. Elkabetz explained that Zafrani had been her father Elie’s teacher in Mogador, Morocco in 1949, inspiring him to follow a career in education there until he moved to Israel in 1963. For this event drenched in family lore, Elkabetz appeared convincingly costumed as a dutiful daughter. Her abundantly flowing jet-black hair was pinned up in a neat bun, and she wore a girlish lace dress, as if to assume a consciously filial role for the occasion. When this award named after his mentor was conferred upon her, Elie Elkabetz sighed and said that he finally understood what his daughter was working at. Due to his Orthodox observance, he had never seen any of her efforts. Making films was more than just a way of exploring family interactions for Elkabetz. Intensely devoted to exchange, cooperation, and mutual inspiration with other communities in film projects, for a quarter-century she used movies as a means of vanquishing suspicion and fear by the mutual recognition of a shared humanity. She concluded in her Zafrani prize reception speech that “being human is our only option on earth.”

Although a short documentary would be directed in 2010 by the Haifa-born filmmaker Nir Bergman, “Ronit Elkabetz: A Stranger in Paris,” there are doubts about just how much of a stranger Elkabetz remained in the City of Lights. Her spoken French was in many ways more communicative than her English. Emotionally allied to the Mediterranean aspects of Gallic tradition, Elkabetz was in her element with seductive aspects of communication à la française. Charismatic, glamorous, she had the chic, allure, and captivating eyes of the French Jewish singer Barbara (Monique Andrée Serf (1930 –1997). Last year Shlomi Elkabetz told “Film Comment” that part of the directorial inspiration for “Gett” was from the 1928 silent French film classic “The Passion of Joan of Arc,” starring Renée Jeanne Falconetti, whose iconic mute sufferings clearly influenced Elkabetz.

However many European divas she may have resembled, her intense need to brave an uphill climb kept her in firm contact with earthly matters. In a 2008 interview with EuroNews, she implied that it was natural for her to express societal and individual issues onscreen, since Israel is a country “born under the cameras.” She spoke of the precariousness of life, how in Israel even a calm café or an intimate conversation is not really calm because things “may explode from one moment to the next.” She discussed the difficulty of “being born and raised in a country at war, and growing old in country at war.” The last-mentioned challenge was spared Elkabetz, much to the regret of her many admirers.

Benjamin Ivry.

http://forward.com/culture/film-tv/339066/for-ronit-elkabetz-being-human-was-the-only-option/#ixzz46SiJRKXH

Antonio Ramos Zúñiga: « EL PATAFISICO DIABLO DIVINO ».

arquitecto y emperador
CONOCER A FERNANDO ARRABAL: « EL PATAFISICO DIABLO DIVINO »
http://antonioramoszuniga.blogspot.mx/2015/11/conocer-fernando-arrabal-es-de-esos.html

Es de esos artistas extraordinarios, de esos locos que rompen el molde, de esos bravos creativos profanadores de la convención, que ponen al mundo patas arriba y   lo transforman, hasta refiguran el horror en arte. Con Arrabal el mundo ha sido re-conceptuado, re-converso, supra-real-asumido, con una muy rara metáfora del Yo truculento cabalgando sobre la nueva versión del El elogio de la locura, en rebeldía ultra (!Viva la muerte!), viva el grupo Pánico. Una forma del espectáculo intelectualmente provocador insertado en un estado de liberación peculiar, no gregario, más intenso que la propuesta existencialista, freaudiana y surrealista, porque se expresa a las claras en acto y verbo, en panafernalia y atipicidad pre-hipster, absurdo y desparpajo intelectual, man in full.

Lo arrabalesco no es otra cosa que ser uno mismo desencadenado y libre, oveja negra, hereje, entre un rebaño (masa) obediente que le teme a su sombra. Diablo divino-Pánico moderno. Arrabal no teme desafiar cualquier tabú y mito del modo más expresivo posible, sea en el teatro, el cine, en la escritura, en lo epistolar, o sea en su propia noción de sí mismo, hasta su indumentaria es protagonista de la novedad, de la ocurrencia, del desafío. El siempre será el más espectacular del elenco, visionario, patafísico, genial. Un grande, un buen amigo.

Aquí les dejo unas referencias. No se asusten si la genialidad ha rebasado la racionalidad, tal como la conocemos. Todo arte es provocativo y arrabalaico. Si se le fue la mano es porque no teme. Es un artista. Uno de los grandes de nuestro tiempo.

“Soy de … Destierrolandia. Como lo fueron Picasso y Dalí… y una ringla de nombres”.
Fernando Arrabal, en ABC Cultural.

LA FOTO QUE HA ORIGINADO CONTROVERSIAS.

de-Mylène-Leloup.-Croquis-F.Arrabal
Un artista anti totalitario,
no iconoclasta, pero tiene huevos.
Un pensador.

Fernando Arrabal Terán (Melilla, 11 de agosto de 1932). Escritor y cineasta español radicado en Francia desde 1955. Con Alejandro Jodorowsky y Roland Topor fundó en 1963 el Grupo Pánico. Es Transcendant Satrape del Collège de Pataphysique desde 1990.
Amigo de Andy Warhol y de Tristan Tzara, pasó tres años en el grupo surrealista de André Breton, por lo que Mel Gussow le consideró el único superviviente de los «cuatro avatares de la modernidad». Ha dirigido siete largometrajes. Ha publicado trece novelas, ocho centenares de libros de poesía, varios textos para teatro y varios ensayos, entre los que destacan sus libros sobre ajedrez. Sus novelas han sido traducidas a numerosos idiomas. Con sus novelas ha ganado en 1982 el Premio Nadal y el Nabokov International. Cfr. Wikipedia.
«Las grandes obras las conciben los locos, las concretan los luchadores, las gozan los cuerdos y las critican los inútiles» [Jordi Soler].

EFE. 04.04.2011:  El escritor, dramaturgo y cineasta español Fernando Arrabal ha denunciado la censura de una obra suya explícitamente fálica en Facebook, que le ha pedido que retire esa imagen del su perfil en la red social. La pintura, diseñada por Arrabal y ejecutada por Mylène Leloup, muestra a un hombre desnudo dotado de un pene diminuto que porta en sus brazos un gigantesco falo.

« Normalmente nosotros, los hombres, nos presentamos con un falo extraordinario como arma, como bandera, cuando en realidad llevamos una morcillita entre las piernas », comentó el creador afincado en París, que esbozó la obra para que Leloup la terminase.

Aunque esa red social todavía no ha eliminado la imagen de su servidor, el artista indicó que ha recibido una notificación explicándole que ese tipo de imágenes « no pueden aparecer en Facebook ».

Arrabal (Melilla, 1932), ha decidido abandonar tanto esa red social , ante la proliferación de « falsos » dobles que suplantan su identidad. En Facebook « hay muchos Fernando Arrabal, muchos Victor Hugo, muchos Samuel Beckett » creados por falsos dobles y, « por simpatía hacia ellos, que lo hacen muy bien », el artista español ha decidido retirarse de dichos medios de comunicación, ironizó.

« Los que me conocen saben que ya no me meto en Facebook », dijo el artista, que se describe como gran admirador del creador de esa red social, Mark Zuckerberg, con quien dice tener puntos biográficos en común, como que ambos fueran reconocidos como superdotados, aunque le reconoce más mérito a quien califica como « Montaña de azúcar », por la traducción del apellido Zuckerberg. Arrabal considera que las desavenencias con la política de Facebook forman parte de ese « misterio » que le ha acompañado a lo largo de toda su vida y que provoca que le sucedan cosas « extraordinarias », como la condena a muerte de su padre en la Guerra Civil o la prohibición de su trabajo en España, aún después de la muerte de Franco.

…pour une nuit debout! lettre de N.Y.

P1000917

…lettre de N.Y:
« …pour une nuit  debout! …mientras tanto, mañana, los jueces de La Corte Suprema de Justicia de EEUU pondrá en la blanza el futuro de 4.5 millones de niños ciudadanos estadounidenses. Escucharán argumentos orales sobre si sus padres son dignos de solicitar un permiso de trabajo según lo permitiría la orden ejecutiva del prsidente Obama sobre Acción Diferida para Padres de Niños Ciudadanos y Rsidentes Permanentes Legales (DAPA, en inglé).  ​Te invito a conocer a algunos de esos niños y a algunas de esas familias haciendo click en  ​​ ​​ABRAZOS … »

Luis Argueta   Director

« There can be no keener revelation of a society’s soul than
the way in which it treats its children. »    Nelson Mandela

ARRABAL e sua prodigiosa (e recente) obra de teatro « O EXTRAVAGANTE TRIUNFO DE MIGUEL DE CERVANTES E WILLIAM SHAKESPEARE” (« El circunspecto », novela).

c s cervantes sha
FERNANDO ARRABAL e sua prodigiosa (e recente)   obra de teatro

« O EXTRAVAGANTE TRIUNFO DE MIGUEL DE CERVANTES E WILLIAM SHAKESPEARE”  (« El circunspecto »,  novela. Reinos de Cordelia).

Há quatrocentos anos, 23 de abril de 1616, morreram o inglês William Shakespeare e o espanhol Miguel Cervantes.

Duas personalidades que deixaram o legado de personagens icônicos na literatura.

Hamlet e Dom Quixote podem ser considerados os dois primeiros modernos indivíduos, além de algumas aproximações entre Sancho Pança e Otelo, Rocinante e Falstaff, Dulcinéia e Julieta e outros. Filhos de duas potências rivais, encarnações do espírito barroco, os dois autores acabaram por influenciar toda a literatura que sucedeu-lhes e, ainda, podemos considerar o quanto a pintura, o cinema e a ópera se inspiraram em seus personagens. Neste sentido, Shakespeare e Cervantes são comemorados em conjunto como dois locutores de nossos autores modernos. Há aqueles que, como Carlos Fuentes e Anthony Burgess, acreditam que eles estão tão próximos que é possível que tenham de alguma forma se encontrado, inclusive, num artigo de Roger Chartier consta que alguns estudiosos supõem que uma trupe de Shakespeare teria acompanhado uma embaixada inglesa, realizado em Valladolid (1605) e que Cervantes teria oferecido um manuscrito do seu Dom Quixote. Enfim, na possibilidade de um contato com estes dois gênios, a imaginação está sempre pronta a se deixar levar, inclusive, é o que vem nos demonstrar o dramaturgo espanhol

Fernando Arrabal com sua prodigiosa obra de teatro

“O extravagante triunfo de Miguel de Cervantes e William Shakespeare”

« El circunspecto », novela.

Wilson Coelho

***

COLLÈGE DE ‘PATAPHYSIQUE

L’Extravagante Réussite de Miguel de Cervantès & William Shakespeare

La nouvelle pièce d’Arrabal

écrite pour le 400e anniversaire

de la occultation de Cervantès et de Shakespeare,

le 23 avril 1616.

Toutefois, la pièce réserve des surprises,

non seulement parce que le même Shakespeare

serait né aussi un 23 avril, l’an 1564,

et que toutes ces coïncidences tournent les têtes les plus… norvégiennes,

mais parce qu’arrabal au mieux de sa forme

lâche la bride à ses pulsions :

la violence érotique et la duplicité,

la gloire des imbéciles

et la fragilité poétique,

la mathématique

et dieu personnage panique, qui « confond tout ».
Pour l’édition originale de la pièce,

on a voulu une réalisation hors du commun.

On a fait fabriquer spécialement, à la forme,

par le Moulin du verger en Charente,

un papier pur chiffon

de lin et coton

pour cinq exemplaires de tête,

signés et ornés par l’auteur.

Les exemplaires on n’ose dire «courants»

sont tirés sur

un papier platine Curieux

discrètement métallisé.

Impression en rouge et noir,

respectivement pour les didascalies

et pour les dialogues.

Sept vignettes en couleurs collées à la main,

illustrant sept 23 avril.

Dessin de l’auteur en frontispice.
L’ouvrage est imprimé

par Julien renon en Charente.

Le tirage sera achevé le 23 avril 2016

pour les annniversaires de Cervantès,

de Shakespeare,

de l’inca Garcilaso,

d’Hadrien VII,

de Saint Georges,

du mot pataphysique imprimé

et de l’éditeur.

« L’architecte et l’empereur d’Assirie » d’Arrabal. Buenos Aires.

IMG_0934

… los premios de Teatro “Trinidad Guevara” otorgados por el Ministerio de Cultura de la Ciudad de Buenos Aires
…la ceremonia se realizara en el salón Dorado de la casa de la Cultura.

 

« EL ARQUITECTO Y EL EMPERADOR DE ASIRIA  de Fernando Arrabal
ha sido distinguido con dos nominaciones a los premios incluido  a la  Mejor Dirección de Corina Fiorillo

Depuis la Thaïlande le poète américain Benjamin Ivry (commandeur exquis de l’Ordre de G.G. pataphysique)…:

 

220px-Akshat_Chandra,_US_Junior_Championship,_July_2015

« Daily News editor, Gersh Kuntzman, loses to 16-year-old chess master Akshat Chandra »

« …nothing makes you feel dumber than losing at chess to a 16 year old. I have a good excuse, of course: I’m lousy at chess.

And here’s an even better excuse: I was playing Akshat Chandra, the reigning American junior champ, who is heading this night  to St. Louis to compete in the U.S. Championship.

This kid is 90 pounds soaking wet. And he’s a nerdy teenager. And given that there’s no better tabloid trope than the old fat guy competing against the young upstart, I was happy to pretend that I could take him.

But first, I went heavy with Ali-esque intimidation, reading Chandra this poem before we started:

This ain’t no Thrilla in Manila.

It’s more like chess doom in the newsroom

I’m gonna take down Akshat Chandra

Daily News legend Gersh Kuntzman makes a move against U.S. junior chess champion Akshat Chandra in a friendly match at the News’ Lower Manhattan offices. Kuntzman lost the match, but won something greater.
Like disease defeats cell mitochondr’a

He may think he’s a Boris Spassky

But my moves are smoother than French Chablis.

Unlike Muhammad Ali, of course, I float like a butterfly, but sting like a flea.

The match was pretty much done in about six moves, when I made my big mistake — taking his pawn. (Check out the exact moment at about :40 in the video above.) Who knew that taking an opponent’s piece was a bad idea?

“That was when I knew it was over,” Chandra said. “You took the pawn, but in doing so, moved your pawn outside the center. You should have bolstered your strength rather than dilute it.”

What he means is that I shouldn’t have done that.

Chandra did have to think, at least once, during the match.
Another bad move? Anyone who ever read “Bobby Fischer Teaches Chess,” which I read probably 150 times when I was 14, knows you have to castle the king and the rook. But I did it on the wrong side.

“You castled on your queen’s side, which left your position even more unstable and underdeveloped,” Chandra said, using words that mean something different in chess than they do in English. “You should have developed your king’s side.”

He then added, diplomatically, “That was perhaps not the best idea for this situation.”

I lasted roughly two dozen more moves — and even captured both of Chandra’s rooks and bishops — but the kid was toying with me. He check-mated me with little more than a queen and a pawn — which to a chess geek, is the equivalent of being sent to the emergency room after having a pillow fight with Pee Wee Herman.

At least I lasted far longer than the so-called experts thought I would. Before the match, I had called chess writer David Shenk, author of “The Immortal Game,” a seminal history of the sport, for advice. He had none.

Frankly, he predicted I’d only last nine moves.

“There is no way to beat him,” Shenk said. “There is no way to even draw with him. It’s like you’re playing one on one with that guy from the Warriors, what’s his name, Steph Curry.”

Kuntzman graciously accepts defeat.
Shenk’s only advice, “Brush up on your chess for seven years, playing every day against Deep Blue, and then you’ll be in a position to hold off this kid for 11 moves.”

Or I could just be Akshat Chandra.

This kid was your average American boy until he was 9 and his family moved to India, where he couldn’t play the “normal” games he loved: baseball, basketball and football.

So he took up chess — and was so good that he racked up a near-grandmaster rating in just four years. Now he’s in the top 30 players in the entire United States, and has a genuine chance at the nationals that run through April 30.

Ever gracious, he said defeating me was something akin to the best preparation he could possibly have.

“You made me laugh,” he said. “That’s relaxing.”

_________________________

Akshat Chandra (born 1999, Livingston, New Jersey, USA) is an American chess prodigy, who has recorded one of the fastest rises in chess in the world. Akshat’s dramatic rise in chess is unique. He started playing Chess in 2009, when he was about 9 1/2 years of age, during a visit to India. Top players usually start playing chess at the age of 4 to 5 years. Subsequently, when his family relocated to India for a few years Akshat was further drawn into the game.  Grandmaster rating level.  In May 2015, Akshat crossed the GM rating of 2500 in realtime, reaching the mark in his sixth year after starting Chess.

What makes the achievement even more notable is the fact that the entire rating gain was achieved on the traditional and much lower K-factor coefficient multiple, and not on the new K-factor coefficient multiple introduced by FIDE in July 2014 allowing players to achieve substantially higher point gains for same level of performance as before the change.

In April 2015, at the age of 15, Akshat won the highest Scholastic Chess title in the US – the National K-12 Championship.[ This is the oldest and most prestigious scholastic section championship, not to be confused with the much smaller K-12 grade championship that occurs typically in November/December. In July 2015, Akshat became the US Junior Champion (Closed), which is the top chess title in the US for Junior players under the age of 21 years, and not to be confused with the US Junior (Open) which is a lower-level tournament with the winner securing the right to compete in the Closed championship. This is the first time in US Chess that both the top Scholastic and the Junior titles are held by the same individual in a single year. In April 2013, as a 13-year old, Akshat won the K-9 Super-National championship, which is the top middle-school scholastic championship in the country. All these three championships were won in his first appearance.[2] He did not play the elementary K-5 championship due to his late start in chess.

Akshat has been consistently ranked as the number 1 player in the US in his age category since 2013. He has also been part of the United States Chess Federation (USCF) All America Chess Team for each year, and has qualified to represent the US at the World Youth Championships in all years since 2013. At the age of 14, Akshat won the gold at the North American Youth Championship, U-18 section, in Toronto, Canada.[

Besides success in classical time-control chess, Akshat has also found success in speed chess as well. He is the 2015 National High School Blitz Chess Champion, and is the highest rated Junior Rapid Chess player (U21) in the country.

After learning chess from local part-time coaches, Akshat, at the age of 10, began working with his first professional coach, the Serbian GM Predrag Trajkovic, who worked with him for 4 1/2 years till early 2014. Akshat attributes a lot of his chess knowledge and success to GM Trajkovic’s coaching, which followed the typical Soviet style of chess coaching focused on positional understanding.

Akshat is an avid writer with a worldwide audience as evidenced by comments on his blog and articles in the media.  He began writing at a young age, receiving a scholastic award in a national competition.  In addition, he took online courses over two years in a creative writing program offered by Johns Hopkins University. Akshat has documented his journey from a beginner to a Grandmaster level on his blog Quest to GM, where more can be learned about him. He is also the youngest regular writer for the most visited chess media website in the world, Chessbase, and also contributes articles to the USCF official website.

Besides growing up in the US, Akshat has also lived in India for a few years, and for a few months in Europe in 2012. As of January 2016, he is a High School Senior.